Knytiri wrote:
First -- actually we DO have mirrors in the tip of the blade. They're just designed so the light can still go AROUND the mirror and still fully illuminate the tip, unlike Ultrasabers.
In several direct comparisons, SF sabers are definitely brighter than US blades. And that's comparing thick-wall blades to thin, as well.
That being said, let's avoid the US vs SF arguments and overall comparisons/arguments that can sprout from this, please.
Right on Knytiri. I have many blades from different vendors including the V4, and while I won't get into comparisons, I will share why I REALLY like the Saber Forge V4. When you're making a fan film or home video, you really have a couple options on how the sabers appear on film. The more difficult way is to rotoscope each frame of footage in something like Adobe After Effects or HitFilm Pro. With enough understanding and practice, this can give you a movie quality look.
Another option is to use really bright LED hilts and set your camera settings to 24fps, and dial up the exposure. By slowing down the frame rate to 24fps (vs 60fps) you get GREAT motion blur from the LED's that can mirror some of the best frame by frame rotoscopes. By dialing up the exposure, you're allowing the sensor to capture more of the light coming from the LED, which will give you a uniform white core, while the surrounding scene/set will have real colored light cast on it as if it were a real blade. This gives much more realistic lighting effects in the overall scene. One of the problems though is that many brands' blade tips always appear unlit on film and you continually have a dark spot or fade on the blade, which gives the blade a squared tip effect on film.
In testing this with a V4 blade, I've found not only do I
not get a dead spot near the tip of the blade, I also get a pointed blade tip which looks great with these camera settings. I tested this with a 6W setup just to be sure I could do this with my older hilts.
It's all a matter of preference, and what your objective for the saber is. You can duel with any blade, although the V4 is VERY hard and durable. If you're filming a sequence and your actors blades are bending around every clash, it shows up in the footage, and that can create a scenario where the audience "suspends belief", meaning you break the illusion in the audience's mind. It takes away from the overall experience.
For this reason, I've given away a pile of other blades and replaced them with V4s.